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Stevie

Oscar nominations 2020

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Oscar nominations by movie:

“Joker” — 11

“Once Upon a Time In Hollywood” — 10

“The Irishman” — 10

“1917” — 10

“Parasite” — 6

“Marriage Story” — 6

“Little Women” — 6

“Jojo Rabbit” — 6

“Ford v Ferrari” — 4

“Star Wars: The Rise of Skywalker” — 3

“The Two Popes” — 3

“Bombshell” — 3

 

The nominations for the 92nd Academy Awards:

 

Best picture

“Once Upon a Time in Hollywood”

“The Irishman”

“Parasite”

“1917”

“Marriage Story”

“Jojo Rabbit”

“Joker”

“Little Women”

“Ford v Ferrari”

 

Best actress in a leading role

Renée Zellweger, “Judy”

Charlize Theron, “Bombshell”

Scarlett Johansson, “Marriage Story”

Saoirse Ronan, “Little Women”

Cynthia Erivo, “Harriet”

 

Best actor in a leading role

Joaquin Phoenix, “Joker”

Adam Driver, “Marriage Story”

Leonardo DiCaprio, “Once Upon a Time in Hollywood”

Antonio Banderas, “Pain and Glory”

Jonathan Pryce, “The Two Popes”

 

Best director

Martin Scorsese, “The Irishman”

Quentin Tarantino, “Once Upon a Time in Hollywood”

Bong Joon-ho, “Parasite”

Sam Mendes, “1917”

Todd Phillips, “Joker”

 

Best actor in a supporting role

Brad Pitt, “Once Upon a Time in Hollywood”

Al Pacino, “The Irishman”

Joe Pesci, “The Irishman”

Tom Hanks, “A Beautiful Day in the Neighborhood”

Anthony Hopkins, “The Two Popes”

 

Best actress in a supporting role

Laura Dern, “Marriage Story”

Margot Robbie, “Bombshell”

Florence Pugh, “Little Women”

Scarlett Johansson, “Jojo Rabbit”

Kathy Bates, “Richard Jewell”

 

Best animated feature film

“Toy Story 4”

“How to Train Your Dragon: The Hidden World”

“Missing Link”

“I Lost My Body”

"Klaus"

 

Best international feature film

South Korea, “Parasite”

Spain, “Pain and Glory”

France, “Les Misérables”

North Macedonia, “Honeyland”

Poland "Corpus Christi"

 

 

Best original screenplay

“Marriage Story”

“Once Upon a Time in Hollywood”

“Parasite”

“Knives Out”

“1917”

Poland, “Corpus Christi”

“Klaus”

 

Best adapted screenplay

“The Irishman”

“Jojo Rabbit”

“Little Women”

“The Two Popes”

"Joker"

 

Best documentary feature

“American Factory”

“The Edge of Democracy”

“Honeyland”

“For Sama”

"The Cave"

 

Best original song

“I’m Standing With You,” from “Breakthrough”

“Into the Unknown,” from “Frozen II”

“Stand Up,” from “Harriet”

“ (I’m Gonna) Love Me Again,” from “Rocketman”

“I Can’t Let You Throw Yourself Away,” from “Toy Story 4”

“The Cave”

“Joker”

 

Best visual effects

“Avengers: Endgame”

“The Lion King”

“Star Wars: The Rise of Skywalker”

“The Irishman”

"1917"

 

Best cinematography

“1917,” Roger Deakins

“Once Upon a Time in Hollywood,” Robert Richardson

“The Irishman,” Rodrigo Prieto

“Joker,” Lawrence Sher

“The Lighthouse,” Jarin Blaschke

 

Best production design

“Once Upon a Time in Hollywood”

“The Irishman”

“1917”

“Jojo Rabbit”

“Parasite”

 

Best makeup and hairstyling

“Bombshell”

“Joker”

“Judy”

“Maleficent: Mistress of Evil”

“1917”

 

Best costume design

“Once Upon a Time in Hollywood”

“Little Women”

“The Irishman”

“Jojo Rabbit”

“Joker”

 

Best original score

“1917,” Thomas Newman

“Joker,” Hildur Guðnadóttir

“Little Women,” Alexandre Desplat

“Marriage Story,” Randy Newman

“Star Wars: The Rise of Skywalker,” John Williams

 

Best documentary short subject

“In the Absence”

“Learning to Skateboard in a Warzone (If You’re a Girl)”

“Life Overtakes Me”

“St. Louis Superman”

“Walk Run Cha-Cha”

 

Best animated short film

“Dcera (Daughter)”

“Hair Love”

“Kitbull”

“Memorable”

“Sister”

 

Best live action short film

“Brotherhood”

“Nefta Football Club”

“The Neighbors’ Window”

“Saria”

“A Sister”

 

Best film editing

“The Irishman”

“Ford v Ferrari”

“Parasite”

“Joker”

“Jojo Rabbit”

 

Best sound mixing

“1917”

“Ford v Ferrari”

“Once Upon a Time in Hollywood”

“Ad Astra”

“Joker”

 

Best sound editing

“1917”

“Ford v Ferrari”

“Star Wars: The Rise of Skywalker”

“Once Upon a Time in Hollywood”

“Joker”

 

 

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Edited by Stevie
Corrected list, thanks Nick R
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Quote

 

Best picture

“Once Upon a Time in Hollywood”

“The Irishman”

“Parasite”

“1917”

“Marriage Story”

“Jojo Rabbit”

“Joker”

“Little Women”

“Ford v Ferrari”

 

 

lol, as great as it is there is not even a remote chance of Parasite getting an Oscar for best picture. It's just not an 'Oscar' film at all.

 

My bets for the biggest successes are Marriage Story and Little Women, they are typical Oscar style underdogs

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@Stevie Not sure if this is the fault of the Washington Post (their article is paywalled), but the list you posted omits Klaus from Animated Feature.

 

Edit: Other missing ones from the list you quoted:

 

Visual effects - 1917

Adapted Screenplay - Joker

Documentary feature - The Cave

International feature - Corpus Christi (Poland)

 

 

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8 minutes ago, Nick R said:

@Stevie Not sure if this is the fault of the Washington Post (their article is paywalled), but the list you posted omits Klaus from Animated Feature.

 

Edit: and 1917 from visual effects.

 

 

I'm not a subscriber and was able to read it. Try going to the front page and then clicking the headline. It should give you the option to either log in or read for free.

edit: I'm terrible at copy paste, will correct the list. Thanks for the heads up.

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1917 getting a nomination for original screenplay is this year’s Bohemian Rhapsody winning for best editing. Anyone could have written 1917. 

 

Like with Roma, if Parasite doesn’t win best international film then i think it’ll win best film. Otherwise 1917 for best film. Kermode always says you’ve got a better chance if you just annoy the least amount of people. 

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8 minutes ago, Charliemouse said:

No idea how Ford v Ferrari got so many nominations, while it wasn’t a bad film, it was fairly dull and just plodded along to its inevitable conclusion.

 

I feel that way about most of the nominations this year. 

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What are your thoughts on The Irishman and best visual effects? Personally I don't think it worked that well despite it being somewhat impressive. 

 

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23 minutes ago, Festoon said:

Embarrassingly shit.

IMG_20200113_185806.jpg

 

The issue with Joker is that it wears it's influences on its sleeve, and they're too hard to look past. If you're unfamiliar with movies like Taxi Driver and King of Comedy, Joker is going to seem absolutely groundbreaking and in this world of superhero reboots a breath of fresh air. But if you know anything about gritty 70s/80s Scorsese-style street dramas, it's old hat. There's nothing new here. And the Batman lore just kinda feels tacked on as an after thought (which I'm assuming, was very much the point).

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6 minutes ago, Stevie said:

What are your thoughts on The Irishman and best visual effects? Personally I don't think it worked that well despite it being somewhat impressive. 

 

Yeah it wasn't Battle Angel Alita wow.

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46 minutes ago, yakumo said:

 

 

 

 

The issue with Joker is that it wears it's influences on its sleeve, and they're too hard to look past. If you're unfamiliar with movies like Taxi Driver and King of Comedy, Joker is going to seem absolutely groundbreaking and in this world of superhero reboots a breath of fresh air. But if you know anything about gritty 70s/80s Scorsese-style street dramas, it's old hat. There's nothing new here. And the Batman lore just kinda feels tacked on as an after thought (which I'm assuming, was very much the point).

 

Yep. 

Also, that section is from the script. A best screenplay nominated script.

 

EDIT: Apologies, Best ADAPTED Screenplay, somehow. Does Scorsece get a credit?

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24 minutes ago, Stevie said:

What are your thoughts on The Irishman and best visual effects? Personally I don't think it worked that well despite it being somewhat impressive. 

 


I think it largely worked 90% of the time and the ambition/approach they took should be acknowledged, so a nomination seems fair, but 1917 will win anyway.

 

I haven’t seen it myself but films like that often win best VFX. Like a colleague at work said today, it’s often not really “best VFX in a movie” but rather “best movie with VFX in” which I couldn’t disagree with. 


 

 

edit: although by that logic Irishman could be in with a shot, he was just saying Avengers should get it basically.

 

 

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I know I'm always name dropping but one of my best mates has just been nominated for SFX on 1917 and i'm so made up for him. We're off to the pub!

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18 minutes ago, Sarlaccfood said:


I think it largely worked 90% of the time and the ambition/approach they took should be acknowledged, so a nomination seems fair, but 1917 will win anyway.

 

I haven’t seen it myself but films like that often win best VFX. Like a colleague at work said today, it’s often not really “best VFX in a movie” but rather “best movie with VFX in” which I couldn’t disagree with. 


 

 

edit: although by that logic Irishman could be in with a shot, he was just saying Avengers should get it basically.

 

 

 

I think The Irishman deserves a nod for the method allowing the actors to act on set, instead of covered with shite standing on a greenscreen set.

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47 minutes ago, kerraig UK said:

I know I'm always name dropping but one of my best mates has just been nominated for SFX on 1917 and i'm so made up for him. We're off to the pub!


Dominic Tuohy?

 

He’s a double nominee with Rise of Skywalker too! Fairplay that man!

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2 hours ago, Shoes said:

Was The Lighthouse ineligible?

 

It's got a cinematography nom but has been snubbed everywhere else, which is just utter bullshit.

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1 minute ago, Stigweard said:

 

It's got a cinematography nom but has been snubbed everywhere else, which is just utter bullshit.

 

That's obscene.

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11 hours ago, Shoes said:

 

That's obscene.

 

Isn't it just. It's not an academy film though is it, thus proving how shit and pointless it all is.

 

Alan Silvestri not getting a nod for the Endgame music is a load of crap too.

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